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Performance, Gender, MotorcyclesNew Media Writing, Film, Comics Art, Visual Culture



Vibration:Objects Performing Violence, Queerness and Transcendence,”  in “Issue IV. Performance: Circulations and Relations Archives.” Lateral. 2015. http://csalateral.org/wp/issue/4/vibration-objects-performing-violence-queerness/.


Androgynous Punk: Aesthetic As Gender De[con]struction in the Trilogy Film Series The Girl With The Dragon Tattoo and the Anime Series Kino’s Journey,” Feminist Movements Across the Board: A Critical Analysis. Spec. issue of Contention: The Multidisciplinary Journal of Social Protest.  Peer-reviewed. 2014

“Objects Vibrating Disobedience”  in the International Journal For Motorcycle Studies, Volume 9, Issue 2: Fall 2013.

“The New Performer: Data as Performer and Performance” in Switch, Cadre’s On-line Journal for New Media, Winter 2000.

 “The New Performer,”  in Rhizome a new media journal: rhizome.org,  Spring 2000.

 “The New Performer,”  in The new Axis Reader, V5n3,  2000,  Ctrl+Shift Art - Ctrl+Shift Gender, June 2000.


“From Truman Capote to Laurie Anderson: Mapplethorpe’s Portraits 

    at the San Jose Museum of Art,”  in artshift, online publication, June 2011.

“The Sound of His/Her Memory”  in (detail), A Journal of Art Criticism, V7n1, Summer 2000.


Co-Editor,  International Journal For Motorcycle Studies, Fall 2015 - Spring 2016,  http://motorcyclestudies.org

Reviews Editor,  International Journal For Motorcycle Studies, http://ijms.nova.edu , Fall 2014, Spring 2015, http://motorcyclestudies.org

Managing Editor, Switch, Cadre’s On-line Journal for New Media: http://switch.sjsu.edu, 1999-2001


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